data sovereignty
for the creative industries
Labels, DSPs, PROs, distributors, publishers... with so many different sets of data, who is the definitive authority on music rights?
The music industry and various third parties have tried multiple times over the years to solve this fundamental problem. Usually by trying to create a unified, single system to meet the needs of all verticals in the industry.
The problem is complex and is rooted in the historical separation of artists from their IP rights and revenue generation. It is compounded by the un-attributable revenue model that incentivises opaque processes and incomplete metadata. In spite of this, we detect a sea change:
- government and standards-body initiatives (UK IPO metadata and streaming inquiries, US Music Modernisation Act, WIPO's work on AI and music metadata)
- growing pressure from artists and managers for transparency and verified attribution
- evolving metadata uses and values, including algorithms, playlists, and now AI training and disclosure
- education creating artist empowerment and IP rights awareness
- the need for provenance and identity verification as AI-assisted and AI-generated music enters the supply chain
The Envoke approach is to leverage these areas of change from a different angle. Our purpose is to re-engage artists with their music, their revenue, and their equally valuable data. One of the direct ways to do this is re-connecting artists to their metadata, as artists are the source of information about their music. Developed using a complex combination of public policy, research, educational initiatives and emerging technologies; we are creating practical tools using innovative and rewarding design that recognises what the artist values and is motivated by. We take a human centred approach. Art is from the human, and metadata is a description of that art. We return that focus to the individual and generate the metadata from that source.
As AI-assisted and AI-generated music fills platforms, that same principle becomes the industry's next hard problem: proving a human made a given work, and crediting them correctly for it. Envoke's design principle sits underneath all of this: change the system to fit the creator. Complete, accurate, rich metadata that's easy to create, verify, integrate and communicate has never been designed. It's been patched together after the fact. Our approach starts from the point of creation, not after it, reframing metadata capture as people first, song first.
our goals
Envoke's simple and driving aim is to create scalable solutions that ensure music rights holders are paid accurately, transparently and on time.
our partners
We are an open global alliance of record labels, artists, technology developers, educators and academic researchers.
Managers, Record Labels, Publishers, Soceities and Organisations:
Mushroom Group (AU), Africori (SA), Anti-Fragile (USA), Stolen Recordings (UK), Secret City (Canada), K7 (Germany), Unified (AU), Mom and Pop (USA), Lowswimmer (Denmark), Delira (Brazil), Duchamp (France), Kanjian (China), TopShelf (USA), Not Like That (UK)
Collaborators
Research partners



Team
about the people behind this project.
Merida Sussex CEO and Co-Founder
Merida co-founded an award-winning independent UK record label, Stolen Recordings in London in 2005. Under her leadership the label was awarded Best Independent Label 2011 Association of Independent Music (UK) and achieved global growth and financial success. She guided the label to becoming a licensed brand in Europe, the US, Japan, and Australia, attracting investors and capitalizing on the fast-changing music landscape. She served two terms as a board member of the Association of Independent Music (UK) and two terms on the international Merlin Network Board, which represents the most commercially significant set of rights outside of the three major labels globally. She currently sits on the UK Intellectual Property Office's Metadat education Group and is a member of WIPO's AIII Technical Exchange Network, contributing to global standards work on music metadata and AI. Merida began her music career as an artist and has maintained an artist perspective on the industry.
Peter Harris Advisory and Co-Founder
Peter is a Berlin based founder and former board member of Resonate, a streaming music co-operative. Resonate began in 2015, directly inspired by the advent of blockchain technology. As CEO of Resonate, Peter collaborated with numerous partners in the industry, including George Howard from Berklee/MIT Open Music Initiative, BigChainDB (now the Ocean Protocol), Imogen Heap of Mycelia, and Ujo from Consensys, among many others. In 2018, Peter negotiated a funding agreement with RChain, a proof of stake blockchain system based in Seattle, WA, USA.
Support
This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body and by an Innovate UK Creative Catalyst 2024 grant.

participate
The MetaGen app brings completeness, accuracy and verification to music data with an easy to use app that guides metadata creation. Reconnecting creators with their work and supplying industry with thorough, high quality, industry standard, verified data.
Collecting data for music in a light touch, visually engaging and user friendly way means it is easy for any user to document music; from early versions of a work, capturing composer and performer details, up to the final finished recording including data rich options for discovery and fan engagement. This innovative approach from the creator and artistic process perspective integrates with the app’s technology to connect required revenue collecting information, industry codes and identifiers. People first, song first.
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